イセーニン VOICE & BREAKOUT

Start with ISE-NIN VOICE (36HP), and you’ll already have a deep semi-modular instrument on its own. But add ISE-NIN BREAKOUT (22HP), and you can place every single control under one-to-one voltage control for unmatched patchability and programmability. This is a level of sound possibility that could would normally require investing in several rows of modules; here, they’re all readily accessible on one convenient, compact front plate. Not only do you get dedicated inputs for the oscillators, filters, and each separate envelope stage for both of the two envelopes, but there are separate FM inputs to each oscillator and every possible routing of the LFO, envelope, and keyboard. XMOD amount and VCO-2 quantized range each get their own input. 

Look to the output section of the ISE-NIN BREAKOUT, and there’s a similarly comprehensive approach, which makes these two modules do the work of many more. Each waveform for each oscillator has its own independent instrument, as does each envelope and the inverse of envelope 1, each filter and slope, each LFO waveform, noise and low noise, and mix. There’s also a dedicated headphone output, so you can enjoy ISE-NIN without waking the neighbors. You’d be hard pressed to find this much sonic range, distinctive vintage Japanese tones, and expandability in anywhere near this amount of HP as you would with ISE-NIN VOICE and its BREAKOUT.